Showing posts with label Preorder. Show all posts
Showing posts with label Preorder. Show all posts

Friday, March 08, 2024

Cover reveal! WHIPSAW (Anhinga Press)


I’m so thrilled to share the cover of WHIPSAW coming from Anhinga Press in April. Pre-order HERE Free Shipping til 4/20/24 • At checkout enter code WHIP2024  

My gratitude to acclaimed sculptor David Altmejd for gracing the cover with a detail from his powerful sculpture “Le Trou” and many thanks to the David Kordansky Gallery. Thank you to artist and poet Karla Van Vliet for the beautiful cover design, and to Kristine Snodgrass and Lynne Knight for believing in this book and for their warm welcome to the flock. The whole team at Anhinga has been amazing – shout out to Amber Lunderman!

I’m honored to have the beautiful, generous words of two poets and writers I hold in the highest esteem on the back cover—a thousand and one thanks to Allison Adelle Hedge Coke and Alison Hawthorne Deming!

Here’s what they had to say about it —

Suzanne Frischkorn writes with the grit and tenderness it takes for a woman to live and raise children in violent America. Peril is close at hand, but so too is the solace of forests and seasons. She gathers crystalline images, as after an ice storm, “the branches/sounded like the parting of bead curtains.” But the cut of helicopter blades follows close by. Hers is a terrible and beautiful balancing act. She takes inspiration from Alice Notley, Keith Richards, the Bard—and most profoundly Gaston Bachelard who leads her into “the great law of forest revery.” I treasure this book so rich in thought and feeling. 


--Alison Hawthorne Deming, author of A Woven World


Suzanne Frischkorn’s Whipsaw is an astonishing run through verdant and shattered forests, transcended one temporal dimension at a time. Everything we come to know, by breath and apparition, gives way to what we pull through it, make of it. Whether harp or clasp, song or quietude, dark horse or deer’s leap, social burdens attend condolences and we sure ourselves with understory every entry a new bound. A sensational and deeply intense read, a scatter of sunrays cut through bird song great. This one cuts to the core, delivering stunning reveal. Must read!

--Allison Adelle Hedge Coke, author of Look at This Blue

2024 is Anhinga’s 50th Anniversary – I’m over the moon to be celebrating with this wonderful press!

Saturday, July 02, 2022

Fixed Star has a Preorder Link!

I’m excited to share that my new poetry collection is now available for preorder! The official release date is September 15th.  

It’s available at these sites:

BookShop | Barnes & Noble | Amazon 




Advance Praise:


In Suzanne Frischkorn’s intoxicating Fixed Star, content and form mirror and echo each other, twin and twine. From the opening line in the first of a sequence of sonnets that generates the book’s architecture, "Birth cleaved me in half,” we learn that the subject is separation, from first language, landscape, and heritage, a loss, a violence, a thievery carried by and negotiated within the body, which becomes, itself, a translation. So what, then, can poetry be? In Frischkorn’s hands, it is— well—everything. It is the cry and the answering cry, the body’s disappearance and revolution, history and tangled myth and the site of self-creation, honoring the fragments while languaging them into something greater, more songful than a whole. Much of the book’s authority emerges from Frischkorn’s formal virtuosity. And then there are the voices she braids into the poems. Transtromer and Plath. Keats and John Cage. Shakespeare and Olga Guillot. They are lyric companions on a perilous road…Fixed Star cannot be reduced to anything but itself. I am in genuine awe.


─Diane Seuss, author of frank: sonnets


Elegant, clear-eyed, and restless, Suzanne Frischkorn’s poems seek and illuminate the frayed hyphens fastening us to family, to the world. Her searching is psychologically rich, transformative: an iridescent interiority spirals outward to touch what sustains it, what divides it. Structurally brilliant, alive with lyrical thinking and observations, Fixed Star is ample proof of Frischkorn’s poetic gifts. In her hands, language is light.


─Eduardo C. Corral, author of Guillotine