litwindowpane

Tuesday, June 09, 2009

Ricardo Pau-Llosa

The reality of that Cuba into which I was born and would be expelled from at the age of six is made all the more dramatic by the complete distortion with which most Americans, indeed most Cubans my generation or younger, view that period of Cuban history. The facts speak for themselves: Cuba was the only nation that was modern in style, outlook, dynamism and Latin American in essence. Indeed, more than any other country in the region Cuba shaped what everyone has come to think of as ALa tin American,and it did this through its music, its attitude toward life, and its pioneering literature and visual arts. The loss of this unique homeland was at that time, when I was six, very painful for me, and has become only more so with time.
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Posted by Suzanne at 11:22 AM
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About Me

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Suzanne
Author of four poetry books including Whipsaw (Anhinga Press 2024) and Fixed Star (JackLeg Press 2022), as well as five chapbooks.

My poems have recently appeared or are forthcoming in Cincinnati Review, Denver Quarterly, North American Review, Salamander Magazine, South Dakota Review, Latino Poetry: The Library of America Anthology, and elsewhere.

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Interviews

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Some Poems & Prose Online

  • A Conversation with James Hoch by Suzanne Frischkorn at The Adroit Journal
  • Best American Poetry
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  • Los Angeles Review
  • Pine Hills Review
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Blog Archive

Whipsaw

Whipsaw

Fixed Star

Fixed Star

Girl on a Bridge

Girl on a Bridge

Lit Windowpane

Lit Windowpane

Chapbooks

  • American Flamingo (2008)
  • Spring Tide (2005)
  • Red Paper Flower (2004)
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