litwindowpane

Monday, March 08, 2010

Still, nothing has done more to change – blur, to some degree even erase – the faultlines for poetry in my lifetime than the mass emergence of women writing. For all of the problems that I have with the concept of hybridity in poetry, I can’t escape the fact that for many writers, especially those younger than myself, the bifurcation of poetry into two counter-posing traditions is experienced as a quarrel among men (white men at that), and that the landscape of poetry in the English language now looks entirely different.
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Posted by Suzanne at 7:02 AM
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About Me

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Suzanne
Author of four poetry books including Whipsaw (Anhinga Press 2024) and Fixed Star (JackLeg Press 2022), as well as five chapbooks.

My poems have recently appeared or are forthcoming in Cincinnati Review, Denver Quarterly, North American Review, Salamander Magazine, South Dakota Review, Latino Poetry: The Library of America Anthology, and elsewhere.

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  • suzannefrischkorn

Interviews

  • Poets in Conversation
  • Small Press Spotlight
  • Poetic Asides
  • First Book

Some Poems & Prose Online

  • A Conversation with James Hoch by Suzanne Frischkorn at The Adroit Journal
  • Best American Poetry
  • Diode
  • Ecotone
  • Juked
  • LOCUSPOINT
  • Los Angeles Review
  • Pine Hills Review
  • SWWIM
  • Terrain - Letter to America
  • The Shore
  • Verse Daily

Blog Archive

Whipsaw

Whipsaw

Fixed Star

Fixed Star

Girl on a Bridge

Girl on a Bridge

Lit Windowpane

Lit Windowpane

Chapbooks

  • American Flamingo (2008)
  • Spring Tide (2005)
  • Red Paper Flower (2004)
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