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Friday, March 15, 2013

NewBorder Interview with Rigoberto Gonzalez


Yes, these snubs are frustrating and sometimes maddening, but I take great comfort in knowing that we have not stopped writing just because the Pulitzer prize committee hasn’t given us a bone. Because that’s not why we write. We are not here to please a mostly-white institution. If New York never notices, it’s New York’s loss, but it’s only a matter of time before it catches up to the cultural and demographic shifts of this country’s readership. All the rest of us have to do is to keep writing, build up the readership, and not allow New York—or anyone else—to tell us they discovered us or that our journeys began when they first took notice.


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Posted by Suzanne at 7:50 AM
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About Me

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Suzanne
Author of four poetry books including Whipsaw (Anhinga Press 2024) and Fixed Star (JackLeg Press 2022), as well as five chapbooks.

My poems have recently appeared or are forthcoming in Cincinnati Review, Denver Quarterly, North American Review, Salamander Magazine, South Dakota Review, Latino Poetry: The Library of America Anthology, and elsewhere.

View my complete profile
  • suzannefrischkorn

Interviews

  • Poets in Conversation
  • Small Press Spotlight
  • Poetic Asides
  • First Book

Some Poems & Prose Online

  • A Conversation with James Hoch by Suzanne Frischkorn at The Adroit Journal
  • Best American Poetry
  • Diode
  • Ecotone
  • Juked
  • LOCUSPOINT
  • Los Angeles Review
  • Pine Hills Review
  • SWWIM
  • Terrain - Letter to America
  • The Shore
  • Verse Daily

Blog Archive

Whipsaw

Whipsaw

Fixed Star

Fixed Star

Girl on a Bridge

Girl on a Bridge

Lit Windowpane

Lit Windowpane

Chapbooks

  • American Flamingo (2008)
  • Spring Tide (2005)
  • Red Paper Flower (2004)
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